divina commedia 2.0
international tour
Duo Hesperus
14.10 – 8.11 2025
An immersive experience of contemporary music and visual art
9 composers • 9 visual artists
2 guitar performers • one electronic tape operator
An immersive experience of contemporary music and visual art
divina commedia 2.0 – inferno
A unique collaborative endeavor in the Romanian cultural landscape: 9 pieces composed for the first time for guitar duo and electronic tape, together with 9 visual works, will be presented in a multimedia performance that intertwines sound and image into a syncretic, expansive, and deeply contemporary experience.
7 Concerts
tour itinerary
17.10 | 19.00
iaSi
Bals House, Eduard Caudella Hall
Romanian Music Festival, 27th edition
23.10 | 18.00
rome
Accademia di Romania – Romanian Cultural Institute
Propatria International Festival, 15th edition
26.10 | 17.00
baden-baden
Old Council Hall
28.10 | 19.00
vienNa
Romanian Cultural Institute
6.11 | 19.00
bucharest
UNMB Auditorium Hall
”Meridian”, International Festival, 20th edition
programme
I. LIMBO Dan Dediu (B. 1967) – Eugen Dediu (B. 1996)
II. LUST Diana Rotaru (b. 1981) – Alexandru Maxim (b. 1990)
III. GLUTTONY Sebastian Androne-Nakanishi (b. 1989) – Anita Frâncu (b. 1991)
IV. AVARICE George-Ioan Păiş (b. 1994) – Nichita Stamate (b. 1995)
V. ANGER Gabriel Mălăncioiu (b. 1979) – Alexandra Duţă (b. 2001)
VI. HERESY Cristian Lolea (b. 1977) – Ana Vîrdol (b. 1999)
VII. VIOLENCE Andrei Petrache (b. 1998) – Roxana Bărbulescu (b. 1995)
VIII. MALEBOLGE (FRAUD) Dan Variu (b. 1983) – Daniel Munteanu (b. 1981)
IX. TREACHERY Violeta Dinescu (b. 1953) – Vlad Basarab (b. 1977)
about the project
How would Hell be envisioned if it were born of today’s world? And what sins would shape its circles?
The International Tour Divina Commedia 2.0 – Inferno reimagines Dante’s vision through a multimedia performance that brings together 20 artists — 9 composers and 9 visual creators — alongside Duo HESPERUS (Costin Soare and Ioan Bănescu). Nine newly commissioned works — the first ever in Romania written for guitar duo and electronic tape — will be paired with original video projections (animation, photography, film), creating an intense and striking audio-visual experience.
The sins of the medieval world — lust, greed, deceit, violence — are revisited in the mirror of the present: hyper-consumption, commodified sexuality, digital manipulation, and media narcissism. This is a vision of Hell for our time, where the guitar becomes a miniature orchestra and the electronic layer amplifies the voices of the present.
The project will be presented in leading contexts for both contemporary music and visual art, through a series of concert-events across Romania and Europe.
A project about our boundaries and about art as a way of crossing them.
Short bios
performers, composers,
visual artistis

Duo Hesperus
Costin Soare – Ioan Bănescu
Electronic tape operator: Mihai Petre
9 composers
Dan Dediu • Diana Rotaru • Sebastian Androne-Nakanishi • George-Ioan Păiş • Gabriel Mălăncioiu • Cristian Lolea • Andrei Petrache • Dan Variu • Violeta Dinescu
9 visual creators
Eugen Dediu • Alexandru-Claudiu Maxim • Anita M. Frâncu • Nichita Stamate • Alexandra Cristina Duță • Ana Vîrdol • Roxana Bărbulescu • Daniel Munteanu • Vlad Basarab
dante & inferno
A story about man, sin, and salvation
One morning in the late Middle Ages, in Florence, in the year 1265, a child is born who will forever change the way people see hell, poetry, and even their own lives. His name is Durante Alighieri, known simply as Dante. He grows up in a flourishing city, yet torn apart by political strife. The young Dante is drawn to poetry, scholastic philosophy, and the art of governance. But an apparently ordinary event will shape his destiny: the encounter with Beatrice Portinari, a girl close to his age, who will become his ideal of pure love and divine beauty. Even though he will see her only a few times and lose her early, Beatrice remains the center of his inner life and his work.
Time passes, and Dante becomes involved in the life of the city. He even rises to the position of magistrate in the government of Florence. But the city is torn apart by factions: the Guelphs and the Ghibellines, and later, by the White Guelphs and the Black Guelphs. Dante, a White Guelph, falls victim to these internal wars. In 1302, he is condemned to exile. He will never return to Florence. He wanders through northern Italy, living on the hospitality of a few patrons. Exile becomes his sorrow, but also a source of creative strength. During those years, he begins to write what will become the Divine Comedy—the ultimate poem of the Middle Ages.
organizer

a project co-financed by

partners

media partners

with the support of















